An overview of the Open Form Pavilion of Air series via RTÉ Culture (Irish NRK equivalent):
https://www.rte.ie/culture/2023/0327/1366079-new-music-dublin-welcomes-you-to-the-open-form-pavilion-of-air/

The “Folldal Åpen Form Paviljong av Luft” (Folldal Open Form Pavilion of Air) is a floating roof of sound across the front of the Helsestien Viewpoint, triggered by GPS and accessed via a smartphone, headphones and the echoes.xyz app. Inspired by Polish architects Oskar & Zofia Hansen’s “Open Form” architectural concept (ca. 1959), this audiowork is one of 15 locations in 9 countries in the pan-European Open Form Pavilion of Air series, using sound and site-mapping to offer a playful renewal and reframing of public space as an essential place of engagement for the community.

By walking through different zones at the front of the Helsestien Viewpoint,while using your mobile phone, the Echoes app and headphones, you become a participatory listener producing a composition in real-time. Your navigation creates a unique choreography via GPS, combining and changing sounds mapped along the viewpoint through the app. Hear this unique mountainside location and its context become transformed by the sounds forming this floating acoustic architecture, revealing an immersive, profoundly spatial and physical experience. The Pavilion has no visible presence outside the app and can only be accessed and enjoyed at the Helsestien Viewpoint in Folldal.
 

Also in the Open Form Pavilion of Air series:

Project background in previous sound/architectural works:
Open Form Pavilion of Air follows on from these previous selected architectural works:

- Climata (2015): recorded entirely in 15 of James Turrell’s skyspaces in 9 countries where each Skyspace was briefly transformed from an architectural light installation into a sound installation where you can hear the air move.
Climata was realized as an:

- SPECTRES (2019/20) - composed entirely of in-situ recordings with tone generators in 9 post-Communist architectures, it presents an interrogation of contemporary society across the threshold of the architecture from a former, but recent, epoch. SPECTRES was realized as an:

- Threshold Works No 17 (2021/22) – a multichannel work and permanent collection acquisition - entrance sound installation for Polish National Museum in Kraków permanent exhibition  ‘Sections: Gallery of Polish architecture of the 20th and 21st centuries’ ('Przekroje: Galeria Architektury Polskiej XX i XXI Wieku') https://www.recordedfields.net/installations/sections/