Part of Brisbane Festival
Who: Robert Curgenven (composer/performer, pipe organ & electronics)
Where: University of Queensland Art Museum
When: Friday 5 September 2025 - 6pm & 8pm
BOOKING LINK
Total runtime per show: 54mins
Repertoire:
Unstable Steady States (A/B/C) (Australian premiere)
Earth Works (Aria 3) (world premiere)
Tailte Cré-Umha (Bronze Lands) Part 1 (Queensland premiere)
Unstable Steady States (D/C/F) (Australian premiere)
A collective evocation of the air, the very foundation of the pipe organ – Earth Works offers a liberation and extension of the pipe organ’s possibilities. This is whole body listening – an absorbing experience of sound’s tactility and intimacy – from breath-like gestures through to a tectonic, architectural summoning. Curgenven will present the world premiere of a new work for the UQ Art Museum’s recently refurbished grand pipe organ alongside Australian premieres of intricately shimmering works, engulfing the audience in sonic textures.
Following a series of sold out shows for AGENESIS with Kat McDowall, at the 2025 Dark Mofo festival – Earth Works will transform the pipe organ at UQ Art Museum, with its 3,283 pipes, into an instrument that breathes at an architectural scale.
Robert Curgenven produces albums, performances and installations that emphasize physicality, our embodied response to sound and its correspondence to location, air, weather and architecture. His recorded output spans pipe organ works Tailte Cré-Umha (Bronze Lands) and SIRÈNE, through to Climata, recorded in fifteen Turrell Skyspaces across nine countries. Curgenven’s work with pipe organs has seen him recognised as a leading proponent of the contemporary reimagination of this instrument, including commissions for New Music Dublin (Ireland) and Richard Thomas Foundation (UK) with presentations for Sydney Festival (Sydney Town Hall), Stavanger Konserthus Norway), Cork Midsummer Festival and Organ Sound Art Festival (Copenhagen). Curgenven has produced a diversity of sound and spatial works for National Gallery of Australia, Musée du Quai Branly (Paris), National Museum of Poland (Krakow), MONOM/4DSound (Berlin), Centre for Contemporary Art (Warsaw), Palazzo Grassi (Venice), Modern Art Museum of Medellin (Columbia), National Sculpture Factory (Ireland) and festival performances including Maerzmusik (Kraftwerk Berlin), Sonic Acts (Amsterdam), Ultrahang (Budapest) and Insomnia Festival (Tromsø/Norway).
Repertoire
1.. Unstable Steady States (A/B/C) - Duration: 13mins - for live pipe organ & 4.2 channel soundsystem
Composed in even temperament, meantone 1/4 comma & Neidhardt Große Stadt tunings. Richard Thomas Foundation (RTF) commission (UK/EU)
2. Earth Works (Aria 3) - Duration: 17mins. - for live pipe organ + recorded meantone pipe organ + 8 channel electronics
New commission for UQ Art Museum (QLD), Newcastle Conservatorium of Music (NSW) & RMIT Spatial Information Architecture Laboratory (SIAL) sound studios (Australia)
3. Bronze Lands (Tailte Cré-Umha) Part 1 - Duration: 11mins
for live pipe organ & 4.2 channel soundsystem. Developed for Cork Midsummer Festival 2018 (Ireland)
4. Unstable Steady States (C/D/F) - Duration: 13mins
for live pipe organ & 4.2 channel soundsystem. Composed in even temperament, Neidhardt Große Stadt & open tunings
Acknowledgements
Presented by UQ Arts
USS A/B/C commissioned by Richard Thomas Foundation and supported by APRA AMCOS Art Music Fund (Australia) and Arts Council of Ireland's Music Commission Award.
Earth Works (Aria 3) commissioned by University of Queensland Art Museum in co-operation with Newcastle Conservatorium of Music and RMIT SIAL (Spatial Information Architecture Laboratory) Sound Studios.
Media Quotes
“…a marvel. Massive sonic textures, tectonic plates of intricate beating, and a stringent, minimal and conceptually honest approach to material. It was as close to a spiritual experience as any I’ve had with sound for a long time” - Mikkel Schou (Copenhagen-based artist and co-director of the yearly festival MINU), - review of 2023 Struer Tracks Biennial, Denmark for P/A Magazine
“Curgenven's powerful set could perhaps best be described as a colossal sound bath that engulfed every nook and cranny of [the venue] KoncertKirken. To say it was an impressive performance is an understatement.” - Ivna Franic, Review of 2023 Copenhagen Sound Art Organ festival for Forkert
PROGRAMME DETAILS
UNSTABLE STEADY STATES (A/B/C) - Richard Thomas Foundation (RTF) commission (2021-23)
With the support of the Arts Council of Ireland through the Music Commission Award and the APRA Arts Music Fund, the Richard Thomas Foundation has commissioned Robert Curgenven to create the third in the series of New Organ Works, following commissions for Kali Malone and Claire M Singer. Curgenven's compositions had their premieres for live pipe organ with soundsystem in 2023. In addition a 33.4 channel presentation was given at 4DSound showcase in London (UK) on the 4DSound system and a 48.9channel presentation will be given in 2025 at MONOM (DE). The live presentations included: the world premiere for New Music Dublin (IRL) at All That Is Solid Melts Into...; Danish premiere at Struer Tracks Festival; Norwegian premiere at Stavanger Konserthus' Orgelnatt; and at Copenhagen's Organ Sound Art Festival. The three parts comprising three different tuning systems create vivid interference patterns and beating frequencies within the concert hall and a starkly physical experience for audiences.
Audio & video extract: USS A/B/C Danish concert premiere performed by Robert Curgenven – Struer Tracks Festival, Struer kirke, Denmark, 23 August 2023 – filmed by Jacob Erikson, Director Struer Tracks Festival and Sound Art Lab, DK. Piece A & Piece B (from quadraphonic PA) & Piece C (live on Bruno Christensen & Sønner 16ft pipe organ). Piece A (recorded: 2021); tuning: Neidhardt Grosse Stadt; Studio Acusticum, Piteå, Norrbotten, Sweden - built by Woehl Orgelbau (2012). Piece B (recorded: 2023); tuning: meantone quarter comma (tracker action); Norrfjärden Church, Norrbotten, Sweden - built by Grönlund (1997), reconstruction of northern German Müller organ (1651, tracker action). Piece C - live even temperament - 16ft pipe organ, built by Bruno Christensen & Sønner (1970).
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TAILTE CRÉ-UMHA (BRONZE LANDS) PART 1 - Developed for Cork Midsummer Festival (2018)
Tailte Cré-Umha (Bronze Lands) is a solo performance for pipe organ & soundsystem developed during two months exclusive after-hours access to Ireland's largest pipe organ in St Fin Barre's Cathedral Cork, along with a range of turn-of-the-century unmodernised pipe organs across Cork and Cornwall in a different tuning. The world premiere was in 2018 at St Fin Barre's Cathedral over two nights for Cork Midsummer Festival with accompanying lightshow. In 2020 the Australian premiere saw a sold-out performance at Sydney Festival on Sydney Town Hall’s 64ft grand pipe organ. Concert recordings were released in 2021 as "Tailte Cré-Umha - Live at Cork Midsummer Festival" (EP) and "Bronze Lands - Live at Sydney Festival 2020" (full 50min concert, CD, as part of the Beyond Enclosures 3CD set).
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EARTH WORKS (ARIA 3) - UQ Art Museum / Newcastle Conservatorium of Music / RMIT SIAL co-commission (2025)
Comprising live pipe organ, recorded meantone mechanical action pipe organ plus electronics drawn from the Dublin Open Form Pavilion of Air geo-located audiowork, "Aria 3" follows "Aria 1" & "Aria 2" commissioned by New Music Dublin for its 2023 festival. The specific material qualities of air continue to inform this series of commissioned works for pipe organ and electronics which follow the Open Form Pavilion of Air series. Fluctuations and disturbances in the air’s behaviour and movement, not only as a medium for sound but as the fundamental source for and from the pipe organ, underscore the acoustic architectures into which audiences are absorbed and within which they can physically sense a specific and tactile apprehension of sound and air. Combining the elecronics and live even-tempered pipe organ with recorded meantone pipe organ heightens these frissons as the three different tuning systems create beating frequencies for audiences as each tuning system works with and against one another.
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UNSTABLE STEADY STATES (C/D/F)
A further suite of two pieces in the Unstable Steady States series (D & F) was developed alongside the Richard Thomas Foundation commission with the support of the Arts Council of Ireland through the Music Commission Award and the APRA Arts Music Fund, Composed in even temperament, Neidhardt Große Stadt & an open harmonic tuning, this further composition formed from three simultaneous parts has also been performed alongside Unstable Steady States A/B/C as part of presentations in UK, Denmark, Norway and Ireland with more to follow.
Unstable Steady States – support:
Richard Thomas Foundation (UK); Arts Council of Ireland Commission Award (IRL); APRA Art Music Fund (AU); Culture Moves Europe (EU & Goethe Institute (BE); I-Portunus (EU); Studio Acusticum & Luleå Tekniske Universitat, Piteå (SE); Nyksund Kooperativet (NO); Øsknes Kommune / Kyrke (NO); Berlevåg Kyrk / Kommune & Kvitbrakka AIR (NO); Sirius Arts Centre (IRL); Folldal Kunstverket, Folldal Kommune & Folldal Gruver (NO); KH Messen (NO); Aras Eanna Arts Centre (IRL); Dublin City Council Arts Office (IRL); New Music Dublin (IRL); St Michael's Church, Dun Laoghaire (IRL); Greywood Artist Residency (IRL); BUA (NO); Beast Bornholm (DK); Sound Art Lab (DK); MONOM (DE).