AñA Wojak
Ana Wojak is an Australian born visual artist who studied in Gdansk, Poland amid the turmoil of Solidarity and Martial Law. She works in diverse media that include painting, sculpture, site specific installation and set design.  AñA has been an Archibald Prize finalist four times and she has been a Blake Prize finalist five times and was the 2004 winner.

Els Viaene
Beginning her career in documentary-making for Belgian national radio, Els Viaene’s realistic treatment of sound has evolved into more abstract environments, using musicality and the natural rhythm of ambient and electronic sound that she animates according to the principle of collage. Working on these sound materials for performances but also for video art or architectural installations, she makes the listeners travel in imaginary naturalistic and organic environments.

TARAB
Tarab (né Tarab Sprod) has been working on the fringes of the Melbourne sound world for the last eight years, primarily examining the interplay of field recordings and sounds generated from found objects. His work explores the possibilities of personal chartings and reactions to the urban environment, revelling in the decay and detritus to be found there. Interested in more than documentation, Tarab attempts to sonically trigger, form, and recreate the interior environments which occur through our interaction with the commonplace and often overlooked.

toy.bizarre
Cédric Peyronnet (aka toy.bizarre / ingeos) is a sound artist working since the 1990s around phonography soundscapes, using the principles of concrete, acousmatic, electroacoustic music. He has published more than forty works exploring places through sound recording, listening and sound sculpting. His works on soundscapes led him to practice “sound mapping” and implement daily the principles of acoustic ecology, including work in schools on the “sound environment” and the importance of the ear.

Sebastian Meissner/Klimek
Sebastian Meissner has worked for over 10 years as a music composer and media artist using sound, video, photography site specific and participatory elements. Employing multiple artistic personas (Autokontrast, Bizz Circuits, Ghetto Ambient, Klimek, Random Inc), his works deal with and negotiate urban/cultural/social scenarios, acoustic psychogeography, historical music archives and strategies of networking. He works with computer music sources, sampling and moving photography assembling their interrelation within geographic/historical/political discourses.

Felicity Mangan
Felicity Mangan is an Australian sound artist based in Berlin, Germany. She has developed her practice through frequent collaborations with dancers, visual artists as well as musicians, utilising digital composition techniques to explore field recordings and sampling from found sound archives.  Through the deployment of custom-built amplification, Felicity presents her work in live performance and sound publications, to explore the physical sound qualities of field recording via hand-made speakers and contact speakers made from re-cycled and found objects.

Chris Howden
Chris Howden has broad experience in the biological and mathematical sciences as well as hands-on environmental work, including a degree in Science (Hons) majoring in statistics and ecology. He has worked extensively on modeling environmental systems i to help understand ways environmental flows affect biodiversity as well as applications of this in the Arts.

Robert Curgenven
Working with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, Robert Curgenven’s sound  explores slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure, he has performed throughout Europe and Australia as well as exhibiting group and solo work in Germany, Italy, Poland, France. New York, London and Australia.